GRANTRIC PHOTOGRAPHY
Featuring the works by Richard Grant, a self-taught photographer with a keen interest in natural and man-made landscapes.

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Zines

01 The Nest

Home is where the heart is, but where is my heart?

What you are witnessing is the life cycle of my purgatory, my private destitution, my punishment. The lonley road to perdition. Each photo is fraught with a tiny little memory that will abide with me forever.

The Nest features urban and nature landscape scenes take last year in Smiths Falls, Ontario. 

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Winter/24 

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02 FAREWELL AND HELLO!

Each time the seasons change, I become nostalgic again, penitent in my sorrow about all this change. This year has been so long; much has happened. Where was I when all this change occurred? As in my nature, I cannot face the truth head-on. I do not want to change, but alas, I must. Farewell and Hello! attempts to locate this composite of feelings, capturing these delicate in-between moments. Moments of deliberate distraction and moments of truth. As the seasons change, so must I.

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Fall/22

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03 Wandering

Wandering, wandering, what shall I find? Exploring the plain suburban realm of Waterloo and Kitchener Ontario, Wandering attempts to capture the beauty that hides among the everyday places and things. This zine was  my first attempt at nighttime photography.

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Fall/21

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04 To All My Lovers 

Is it better to have loved and lost than never to have loved at all? To All My Lovers attempts to answer this question in a series of poems, punctuated with fall landscape scenes from Sudbury, Ontario. 

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Fall/ 20

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05 The Nature of Daylight

Inspired by Max Richter’s On the Nature of Daylight from his 2018 album, The Blue Notebooks (15 Years), the Nature of Daylight is a series of poems, written as a meditation on self as I exisited throughout the panasonic. For the uninitiated, the name panasonic is a reference to the Covid-19 pandemic. As I emerged from yet another lockdown, I began to take a keen interest in the blooming spring, where even the sunlight felt like magic. 

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Panasonic/ 21

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© 2025 — Richard Grant